The theme of the poet and poetry in the work of Lermontov. Lermontov's poems about poetry

The theme of the poet and poetry in the work of Lermontov is one of the central. Her Mikhail Yurievich devoted a lot of works. But we should start with a more significant topic in the artistic world of the poet - loneliness. It carries with it the universal character. On the one hand, this is the chosenness of the Lermontov hero, and on the other hand, his curse. The theme of the poet and poetry involves a dialogue between the creator and his readers. But, getting into the unusual atmosphere of the universal loneliness of the lyric hero, it acquires special significance, color.

We will consider the theme of the poet in Lermontov's lyrics. We will analyze several poems by Mikhail Yurievich, give them a capacious description, we will find similarities with the works of Alexander Sergeevich Pushkin.

"Do not trust yourself"

The poem was written by M. Yu. Lermontov in 1839. It continues to develop the motifs of the Pushkin poem "The Poet and the Crowd". However, if Pushkin has a priest on one side and an uninitiated person on the other, Lermontov sees it entirely differently. The theme of the poet in his poem is radically different from Pushkin's. There is a connection between the creator and the crowd. All of them are ordinary people, and the poet is one of them.

However, a poetic word can not express the inner world of the creator himself. Here we are faced with the already well-known romantic theme, once set by V. Zhukovsky in the poem "Inexpressible". But, naturally, in a different interpretation. The word can not convey the depth of the poet's inner life, it is devoid of this power. People do not care about the creator's experiences: "What's the matter to us, did you suffer or not?" What do we need to know about your worries, / Hope stupid initial years, / Reasoning evil regrets? "

"Prophet"

The theme of the poet and poetry in Lermontov's work is traced in the "Prophet", written in 1841, a few weeks before his death. If in the poem "Do not Believe Yourself" the poet is close to the crowd, then in this work we observe a different situation. Here the creator is represented in the image of a prophet. And the name of the poem sends us to Pushkin's "Prophet". In it, the author writes about the changes that occur to a person when he turns into a seer, who brings God's word to people. Pushkin completes the poem with a cheerful appeal: "With a verb, burn the hearts of people."

Lermontov also draws us a tragic continuation of this story. The Pushkin prophet goes to the people in order to bear the Divine word. But, unfortunately, they do not understand him. However, the hero's detachment from people is compensated by the possibility of contacting the Universe.

"Poet"

The motive of uselessness to the people of the prophetic word as the theme of Lermontov's poem "The Poet" emerged back in 1838. In it the images of the creator and dagger come together. This again sends us to Pushkin, namely to his poem "Dagger." It was written in the south in 1821. True, Alexander Sergeevich is really talking about a dagger, but he is created as the image of the last judge, restoring justice. Perhaps this is the only Pushkin poem where murder is justified from a moral point of view.

Lermontov, in his own way, processes the image of the punishing dagger. The poet takes him to the past, when he was the instrument of the struggle, and now he became the object decorating the room: "He is a golden toy on the wall". Something similar happened to the poet: once his voice sounded like a bell, and now he has lost his destiny.

We find that the Pushkin stories of the poems The Prophet and The Dagger, which sound positive and optimistic, in Lermontov's treatment acquire a pessimistic and dramatic character. The prophet is persecuted, the dagger becomes a toy, and the poet loses the ability to influence the world around him.

"How often, surrounded by a motley crowd ..."

Lermontov's other poems about poetry still show us the influence of an artistic word on the surrounding world. This is most clearly represented in the poem "How often, surrounded by a motley crowd ...". Lermontov paints a picture of a masquerade, people who hide their true emotions and feelings. And therefore, looking at this fake and unnatural life, the poet is carried away to a distant childhood, where everything was completely different. And then, returning from the dream world, he again discovers the unnaturalness of this masquerade.

"Thought"

The theme of the poet and poetry in Lermontov's work is also touched upon in the most famous work of the author, in which he paints the image of his generation, including himself. Speech, of course, is about the poem "Duma". If in the work "Do not Believe Yourself" Michael Yurievich brings the poet and the person from the crowd together, here he has a relationship and a generation. However, this image is tragic. From the generation there is nothing left: "... not a thought prolific, / Neither a genius of the begun work".

However, we know that everything went wrong, as it seemed Lermontov. From that generation remained his poetry. The Duma became a poetic monument to his contemporaries.

"There are speeches - meaning ..."

Lermontov also has poems in which the power of the poetic word is expressed especially strongly. So, the main hero of this work is Mikhail Yuryevich himself. He describes the influence of a poetic word on his soul. We understand that poetry is far from working for everyone. But it becomes clear what a tremendous sense was the poetic word in the life of Lermontov himself.

Conclusion

One can not help but say how much Pushkin influenced Lermontov's work creatively. Mikhail Yurievich really wanted to show his poems to the idol, but he was too insecure. The theme of the poet and poetry in Lermontov's work begins with a tragedy for all Russian literature - the death of Pushkin. Shocked, he wrote a poem "The Death of a Poet." Perhaps we would never have known the genius of Lermontov, if not for his friend Svyatoslav Raevsky. He copied the poem from hand to send to grieving relatives. It produced the effect of a bomb that exploded: overnight, the whole of Russia recognized the Lermontov cornet.

After analyzing the poems of Mikhail Yurievich, we noticed how often he turned to the motifs, the plots of his idol. Continuing them, contrasting their works with Pushkin, Lermontov found his niche in Russian poetry, on the one hand, joining with his predecessor, and on the other - becoming a serious opponent.