What are the treatment of the triad of different frets

Sober is a special kind of chord, which is the main component of the harmonic part of any piece of music. Most often this chord is arranged in a certain way, due to which it has a special sad or joyful color. The same technique as triad sounds, allows you to create new harmony in music, allows you to differentiate accents and gives a new, more interesting and unique tone to the sound.

What is a triad different from the rest of the chords?

The secret of this set of notes lies in its very name. This chord consists of three sounds arranged one above the other along the movement of the musical camp. Most often it is based on the thirds - large and small, but in some cases, there are other intervals, such as seconds, quarts, quintets and even sextons. Treble speech - this is the reason why each third can turn into a quart when carrying one note an octave higher. This is the secret of the beauty of the sound of each similar chord, and importantly, for the same reason, in many cases it is easier to play, without losing the basic sound and harmony of the work.

How the appeal of any chord is formed

A minimum chord can consist of three steps, formed by different intervals. Suppose that we are dealing with a standard major chord, built from a note "to", which includes a large and a small third. Thus, in order to do his first conversion, we transfer the lowest note, that is, "before", to an octave higher. It turns out that now our chord starts with the sound "mi" and consists of a small third and a pure quart. Treble speech will be complete if we consider the third of them. In this case, the note "mi" is already transferred an octave higher, and the chord is built with "salt". Its structure will now be as follows: a clean quarter and a large third. The names of these appeals are simple and come from the intervals from which they begin. The main chord is tonic, its first call is a tertskvartakord, and the second is a quartz.

Why the triad and its calls are considered the basis of any melody

As already mentioned, every triad is the main chord in any way. In major or minor, in Dorian fret or Lydian - this chord is built on three levels of scale. Thus, the tonic (as this is called consonance) begins with the first step of the fret, then touches the third and fifth. The first note is considered the most stable, all the rest are auxiliary. Consequently, the tonic triads can be used for the convenience of busting in accompaniment, there will be no fundamental difference in the sound. Exception can be considered those cases when the product ends in a certain chord. Tertzkart and Quartz in such cases will sound unstable, in contrast to the tonic.

How other chords are modified

In the theory and practice of music, there are various types of triad, which may depend on a certain harmony or be independent. This is a standard minor accord, which is built on a small and large third. Among the most common chords are also found enlarged and reduced. They consist either of two large thirds, or of two small ones, respectively. Only in such a case of reversal of the triad will be much more interesting. In an enlarged chord, when you shift the lower note by an octave higher, we will have a reduced quarter. By sound it is identical to the big third, the difference is only in writing. Therefore, each reference of an enlarged chord is no different from its source. In the reduced, the lower note, transferred upwards, will form an enlarged quart or newt. The sound is sharp and specific, especially in combination with a small third.

Other names for chord hits

Surely you noticed that it was indicated that not only small intervals, such as thirds and quarts, but also very large ones - can be contained in the triad. How exactly do they fit into such harmonies and how does this affect perception? In fact, each reversal of the main triad sound comprises this interval, namely, it is formed by extreme sounds. For example, the first variation of a tonic triad is also a sec-secord, since depending on the major or minor mode, its extreme notes can be the basis for a small or large sixth. The second treatment is a quartz-seccord. In majeure, his extreme sounds already form a large sixth, and in a minor - a small one.

Why change the chord structure?

Many beginning musicians do not always understand why the main triads are necessary, if, in essence, the essence of sound does not change from similar metamorphoses. The answer to this question is easiest to get in the process of improvisation or composition. Sometimes even the same harmony, without deviations and auxiliary musical signs, sounds quite different in one of his addresses. For example, a secstacord can often be heard in the development or the middle of a work. He is not as thorough as a tonic, but at the same time gives a melody of stability. Kvartsekstakkord is considered an introductory, that is, after it you must certainly play a tonic triad.

Conclusion

Similarly to tonic chords in each gamma, the contiguous subdominants and dominants also change. Often this method is used when you want to play a decomposed accompaniment in the form of arpeggios or a simple list of notes. This gives each product more charm and ambiguity, but at the same time leaves an opportunity to preserve the unity of harmony.