Main intervals in music

The theory of music is the main component of this art, without which it is impossible to fully understand and understand all facets of the beautiful. It is not so difficult to understand it, as it may seem at first. The main thing is to learn all the components of this art. Among these are known intervals. There are 8 of them in music. However, these are the basic combinations of sounds that fit within one octave, but in fact there are a little more of them.

Intervals in music are studied by science called "solfeggio", and these basics are laid in the minds of very young musicians. This term in theory refers to a sequence that begins with the number 1 and ends 8. A numeric value indicates the number of notes that spans the interval. And in order to understand this in more detail, we suggest to consider specific examples and, of course, the list of intervals. It is also worth noting that the intervals in music are pure, that is, unique in their kind, and also among them there are small and large ones.

So, at number one in solfeggio is a prima. An interval that consists of one note. In practice, it can sound like two consecutive sounds or as one continuous sound. It does not have varieties, so it wears the so-called "status" of pure. In notes for novice musicians is often defined as ch1, that is, "pure prima."

The next music. The interval, which is equal to the number two, is called the second. It covers two adjacent notes and sounds quite sharp. A second can be small if the next-standing notes form a semitone with their sound, and if there is a whole tone between them, it becomes big. In notes are designated as m2 and b2 respectively.

Small and large can also be a third that symbolizes the number 3. This interval is part of the tonic triad, its beginning or ending. It is he who defines the major or minor. If at the beginning of the triad lies a large third, then it is characterized as a major and sounds joyful. If this chord starts with a small interval, then it is minor and has a mysterious and slightly sad color. In the notes of the third are defined as b3 and m3.

As already mentioned above, the intervals in music are pure, that is, not having so-called "declensions". To those belong quarter and fifth. They are designated by numbers 4 and 5. The quartet has a somewhat strict and stable sound, and is also an opening interval, because it is exactly the distance between the fourth and first stages of any gamut. Quinta is its complete opposite. Covering in its range of 5 steps, it is like a bridge between the lowest and the highest sound of a tonic triad. Depending on what will be the average step of such a chord, a major or minor will be defined. In music notation, you can find a clean quart and a fifth, labeled as h4 and h5.

They are followed by sexta and septima. These are intervals that are large and small. Sextus (6) always has a beautiful and mysterious sound, it starts with her many songs ("In the Forest the Christmas tree was born," "Beautiful is far"). A septima, on the contrary, is perceived ear sharply. The small Septima is an excellent "bridge", into which other sounds, forming the extraordinary beauty of the seventh chord, can fit. The large, as a rule, is used as an opening interval in many classical works. On the musical camp you will find these sound combinations, denoted as m6 and b6 for the sext and m7 and b7 for the septum.

The last interval - the octave - is indicated by the number 8. It represents the same sound, located only with a difference of one octave (for example, "before" the small octave and "before" the first one). It is designated as h8.

Many people are confused about what a musical interval is. The answer to this question is simple, it is enough only to open a textbook on solfeggio and to penetrate into its essence.