Epigraphs about love from great works

Each writer once addressed one of the eternal themes - love. A lot of subjects are devoted to mutual feeling. A special place in literature belongs to the stories of unrequited love. Before the beginning of the narration, the writer should explain what he wants to tell the reader. This is the purpose of the epigraph.

What it is?

In ancient times this word denoted the inscription on the tombstone. Literary epigraphs appeared only in the Renaissance. Since the 19th century, they began to be placed both at the beginning of the work and before each chapter. Successfully selected epigraph serves as a sign of the author's education. Clever writers like Pushkin, Turgenev, Tolstoy, and Gogol have skillfully applied epigraphs about love.

This method is used for the following purposes:

• To highlight the main idea of the plot;
• Preliminary acquaintance with the spirit of the work;
• Emphasizing the main mood of the book;
• The expression of personal relation to the events described.

Epigraphs of writers about love

For an example, let us cite a number of authors who masterfully use epigraphs. Richard Yates for the work "The Road of Change" used a quotation from John Keats - "That tender, now rambling flesh languished." Mary Vestmakot used her quote "The Rose and the Tees" by the quote from Thomas Eliot - "The world is one instant of Roses and Tisza."

Jonathan Carol, as an epigraph to the novel "White apples" took the phrase stating that death, sleep, love have one motive, and a hot kiss leads to them. Frederic Beggeder, who wrote "Love lives three years," prefaced the novel with a quotation from Franzois Sagan: "Well, yes! So what? Things must be called by their names! A person loves, and then does not like. "

Epigraphs of love are also present in the classics of Russian literature. Sholokhov wrote for the novel Quiet Flows the Don from the Cossack folk song. It says how hard the share of Kuban Cossacks during the war, which takes thousands of lives, leaving the orphans, and women - widows.

Pushkin wrote the following for the novel "Dubrovsky":

"You could take revenge,
But revenge is low,
When the object of your love -
That meek creature ... "

"Bakhchisarai Fountain" begins with an epigraph, which is taken from the work of Saadi. In it, the Persian poet says: "Many people visited this fountain. But others are not, others - travel far. "

Bulgakov took the novel Master and Margarita from Goethe's Faust:

"So who are you, finally?"
"I'm part of that power,
That eternally wants evil and does good. "

Thoughts of great

Epigraphs about love, in fact, are quotes of great writers. With regard to the high feeling, Paulo Coelho expressed this way: "Love is not in another, but in ourselves, and we ourselves awaken it." Dostoevsky believed that to love means to see a person the way God created him. Lermontov argued that love has no boundaries. Oscar Wilde believed that a woman should be loved, but not understood.

Confucius did not imagine life without love. Leo Tolstoy said that love is a great gift. "You can give it, and yet it will remain with you." Bunin argued that all love is a great happiness, even if it is not divided. This epigraph on unrequited love asserts that the ability to show deep feelings is the basic human need.

All these statements are summarized in the verses of the Azerbaijani poet Nizami:

The lover is blind.
But the passions are visible
It leads him where there is no way to see.

From the history

Epigraphs often became fashionable, becoming a manner, getting out of use. They are used in literature, music, cinema. The ability to pick up someone else's idea for a new work is also a sign of the author's wit. Epigraphs of love not only introduce the reader into the course of the matter, but also embody the vital wisdom. The ability to use them in their works is subject only to high talent.