What is iambic and trochee?

The poem differs from prose by composing from words a certain picture, not only semantic, but also sound. Folding out a certain mosaic of them, the poet is able to convey the most profound experiences and vivid scenes. To create the rhythm and harmony of the work, certain rules of versification are used: observing the alternation of strong and weak syllables (shock and unstressed) called the foot in a certain order; Vigilance about the poetic size or the constant number of repetitions of stops in each line.

Two-syllable foot

In order to understand what an iamb is, you need to carefully understand the footsteps in general. If we are talking about a two-syllable foot, to which iambic and trochee belong, in this case unstressed syllables alternate with percussion, one by one. The stress, falling on the first of the two syllables, speaks of the belonging of the foot to the chorea:

THROUGH THIS TEMPLE AND TAM,

Vskolz, buzzing around the waves ...

Then, as the stress that falls on the second syllable, says that it is iambic. Examples:

When the winter wakes up,

And sirdce thinks about druga,

THE SHORT DUSH TO PROTECT ...

Or more:

Then, and I'll take the arrow

And, the burning wickedness of her,

Otpusty ptaltsy aunt ...

Pyrrhic

These are two vivid examples that can create an idea of what an iambic is. Faced with serious classical poetic works, it is more difficult to determine the size of the foot. This is due to the distribution of stresses in them, which do not always coincide with the above-described scheme. What to do in this case:

Zarya was in demand,

The pechka on the sand,

And the TAM, the Heavens, the foal

Sought to the wind.

Stop is difficult to determine because of the uneven distribution of stresses in words. What is that? Iambic Is it? Horei?

For such cases, there is a folk way of determining the size of the foot, consisting in "minting" the verse like a first-grader on a ruler, not paying attention to the meaning of words, or on the correctness of the arrangement of stresses in them. With this recitation of the verse, you can see the following diagram:

За-рЯ-ру-мЯ-ни-лсьсь-спро-сОнок, I'm the one,

Zhur-cha-la-rech-ka-pO-pes-ku,

A-tAm-na-vzgoo-rye-jE-re-bE-nok

At-slu-shi-va-sya-kvE-ter-kU.

When you read the verse in this way, you find a number of additional accents that are not inherent in the word. You should pay attention to the sixth syllable in the first and third lines, the fourth and sixth in the latter, vividly demonstrating this poetic phenomenon. In literary criticism, it is called pyrrhic and is applicable to all sizes of the syllable.

In this simple manner, every second syllable is noted in the above verse, a typical iamb is exposed. Along with the chorea, it was the most popular syllable among the works of poets of the 19th century. Iambic poems were preferred by: AS Pushkin, M. Yu. Lermontov, AS Griboyedov and many other classics.

Three-syllable foot

To three-syllables are dactyl, amphibrachium and anapest. These dimensions of the feet are characterized by one percussion and two accompanying unstressed syllables. The difference lies in the accent on the syllable: the dactyl has the first syllable, the amphibrachia - the second, the anapest - the third. It is possible to consider on examples:

Dactyl:

BETWEEN YOURSELF,

IN WELLING,

She drinks nebo

The day before ...

Amphibrachium:

Whenever the world that is in me,

There is no one here, in the spring ...

Anapaest:

Love! Do not skimp on the lack of feeling,

There is no need for the ekonomy of the fire!

Lei in me, like in a cud, that I'm dried up and ...

The Poetic Size

The number of repeating stops in one line of the poem creates a certain poetic size. In the last of these examples, we are talking about the repetition of four three-syllable feet. Literally, this is called a four-legged anapest.

The most frequently encountered poetic dimensions characteristic of Russian classics are four-legged, three-legged and two-footed.

For example:

God, that, having covered his own self,

My dreams are blown into my dreams ...

This example outlines the fourfold use in one line of amphibrachey and has the corresponding name: tetrahedral amphibrachium.

And the above passage, characterizing a dactyl foot, is two-legged.

What is the iambic three-legged or four-legged, it is easy to understand on the following Examples:

POROI delirium, and not knowing,

Where am I going. And do I really need to know ...

This verse is written with a four-legged iambic. He is also recognized in the immortal "Eugene Onegin", AS Pushkin.

The next verse refers to the three-legged yamba, and AS Griboedov resorted to it in his "Woe from Wit":

I can not cry out loud,

They say nothing ...

Now, when it is clear that there is a trochee, and what - dactyl, iambic or amphibrachia, you can start writing your creations. What is iambic poet? Perhaps the most convenient size. You should start with it.