The painful reception of Kimura and a little bit of judo

The founder of this popular kind of martial arts is Cano Jigoro, based on the creation of his offspring in jujutsu. It is usually called three schools of ju-jitsu (in Japanese there are no syllables "dzhi" and "yiwu"), which served as the basis: Seigo-ryu, Quito-ryu, Sekiguchi-ryu.

Kano Jigoro and Judo

A young, ambitious and very active man publicly declared that he was the creator of a new unique school that promotes the moral and moral education of a modern humane person. Advertising and victories at competitions of 1889-1892 years of judoists with representatives of traditional schools of ju-jutsu made judo incredibly popular.

All the "effectiveness" of judoists was based on the fact that the fights were forbidden to use the most rigid and uncompromising techniques. And then the physical strength, endurance and other factors influencing the outcome of the sports match came to the fore, but not for a real battle to destroy the enemy. With various restrictions, Judo degenerated to the level of entertainment on the carpet.

Technical features of judo

Judo demonstrates a wide range of techniques: 67 kinds of throws (nage-waza) and 29 ways of immobilization (kateme-waza), and already on the basis of the listed, there are a myriad of variants and techniques (hanka-waza). If we talk about classical judo, then it is necessary to isolate such sections:

• Kudzushi is preparation for reception or loosening.
• Nage-waza - different variants of throws with the use of hands (te-waza) or legs (asi-waza) - this is from the position of the rack and is carried over the shoulder, hip, waist or back. Also, throws are done on the back and on the side.
• Kathame-waza - captures. And they can differ on asphyxiating, with restraint and painful locks.
• Separately, it is worth mentioning the theme of painful techniques (kansetsu-waza), levers and knots. To use the lever in single combat is to unbend the limb in the joint beyond its norm. A classic example is the grip of the hand and the subsequent impact on it by the lever on the elbow (jiuji-gatame).
• A knot is to twist a limb in the joint. The most vivid example - a painful reception of Kimura or Ude-Garami.

It is clear that it is possible to work on different joints and inflict severe injuries on the enemy, but in sporting judo it is possible to work only on the elbow.

• Ate-waza - blows. You can use your hands (ade-waza), but you can also connect your legs (asi-ate).
• In judo, there are also known methods of strangulation of two types: respiratory and blood.

At the competitions in Marakana on October 23, 1951, Kimura painful reception, which eventually brought him the famous victory over Halio Gracie, was able to spend, pretty much exhausting the Brazilian, keeping him on strangulation. In a semi-faint state, Gracie made a mistake, which was immediately taken advantage of by the Japanese.

The reception takes place in three phases. The first is the withdrawal of the enemy from a stable position with the help of jolts, swings and twists (Kudzushi). The second is the preparation or creation of a situation and prerequisites for carrying out a mechanical action (Tsukuri). The third is the final one. This, in fact, the reception itself (Kake).

The Steadfast Tin Soldier

The famous duel between one of the best students of the judo school, Kimura Masahiko, and the founder of the modern school of the Brazilian ju-jutsu, Halio Gracie, occurred on October 23, 1951. Receiving Kimura - a knot of the shoulder - brought in the end a Victoria to the Japanese, but the courage with which the Brazilian stood was worthy of respect.

The Gracie family, as well as the judoists, considered themselves invincible. The duel was advertised and arranged pompously. Kimura, coming to the ring, saw the coffin, which was prepared for him by the caring Gracie. A pathetic advertising trick caused the Japanese only a smile. This is how, in an atmosphere of mutual friendliness and comradeship, this competition began.

Kimura threw Helio on the ground, but the cover of the ring was unusual: in native Japan fights were conducted on the sand covered with straw, and here were soft mats. Successful throws did not cause a brain concussion and fractures in Gracie. This could not but annoy the representative of the humane "soft path" - the Brazilian was still unharmed.

Finally, after another successful throw Kimura opponents entered the stalls - began a violent dynamic struggle. Masahiko managed to take the opponent to strangulation, and Helio began to shake his head, trying to breathe in oxygen. Straightening his left hand, he wanted to throw off a tenacious soldier. The Japanese seized his left wrist with his right hand and, twisting it, carried out a work permit, which later would be called - Kimura's painful reception.

He did not give up even when his arm broke. Threw a towel - Masahiko won a technical knockout. Kimura painful execution performed flawlessly. Only courage and pride did not allow the Brazilian to surrender: they remembered these two fighters - the great ones.

Description of the painful reception with Udegarami

How to make a painful reception of Kimura? The situation is considered when opponents in the stalls. The attacker is in a more advantageous strategic position: he is on top. Any attempts to override or reset it are blocked. In this situation it is necessary:

• Grabbing the opponent's legs, push his arms apart (the left hand of the opponent is intercepted by the right under the armpits);

• Then the left hand, pulling the enemy's head aside, penetrates into his armpit, and then it is necessary to raise himself, leaning on the elbow of the right hand;

• Further the left hand penetrates even deeper and intercepts the attacker's hand for the left forearm, after that the defender grabs himself by the left bicep and, accordingly, the left hand grasps his right bicep;

• By bringing the elbows together, the fighter will infringe on the opponent's hand, which is located on top, turning his body, making an exit on the attacker;

• After that, the left hand is pressed as tightly as possible to itself, and the right hand intercepts the opponent's wrist. Then the left hand grasps the wrist of his right hand. As a result, the elbow joint of the opponent is bent at 90 degrees, and its limb is wound behind the back. A crunch of bones and cries of pain.

The painful reception of Kimura is very traumatic, and it is necessary to perform it under the guidance of an experienced instructor.

Conclusion

In modern sports, the technique has been used repeatedly. As an example, you can call a fight between Fedor Emelianenko and Mark Hunt, which brought victory to the Russian athlete. This once again proves its effectiveness. It should be taken into account that mastering any techniques requires the help of an experienced instructor and great dedication in securing and assimilating each stage of the action.