The most famous films of lawyers in the law: artistic and documentary

Detective-adventure genre has always been one of the most popular among the mass audience. According to the classical canons, the history of a crime is usually viewed from the standpoint of honest people and investigators exposing it. However, in order to understand the psychology of a murderer or a thief, it is useful to look at the world around the eyes of the offender. It is this task that is devoted to the best films of the pro- grams, especially those that operate as part of organized criminal structures.

Hierarchy is a sign of both the state and the mafia

Each effective management system has a well-defined vertically oriented structure. In the lower and most numerous of its part are ordinary performers, above them - commanders of the lower level, then the middle level, even higher - the elite, consisting of the elect. The final decision, as a rule, takes the most important decision.

So the army is organized, otherwise it will not be combat-ready. Any ministry and department works on the same principle. State power functions in the same way. And criminal organizations are no exception.

The topic of criminal syndicates in foreign films

The life of mafia clans is one of the most interesting topics for writers. Mario Puzo, having created his novel about the fate of the godfather, described in detail the governance structure adopted in virtually all American criminal syndicates created by immigrants from Italy. The Jewish mafia of the thirties and forties is depicted in the film Once Upon a Time in America. There are other films of lawyers in the law, acting abroad. So, the theme of the organized underground trade of alcohol during the "dry law" reveals the old film "The Fate of a Soldier in America", shot back in the thirties of the last century.

And how are we?

But it's all abroad. We are also interested. Many films of lawyers in law and ordinary criminals are devoted to the organization of criminal structures, which describe with varying degrees of reliability the order that prevailed in their environment, both in places of detention and at large. One of the first was the painting by Vasily Shukshin "Kalina Krasnaya", in which the tragic fate of an authoritative criminal named "Woe", who decided to break with a criminal past and become an honest man.

It should be noted that there is a significant difference between Italian, Irish, Jewish, Japanese and other ethnic criminal structures and the so-called "Russian mafia". It consists in the degree of subordination and obedience of its individual members to its commanders. If the head of the Cosa Nostra orders someone from the lower Mafiosi to kill at least his own relative, he will obey unquestioningly. From our bandit such obedience can not be expected, and he will not usually kiss a ring.

Who are the thieves in the law

In tsarist Russia such a concept did not exist. The thief was just a thief. In the twenties and thirties, many bold social experiments were conducted in the USSR, during which the task was to change the nature of the social relations that had developed over the centuries. The first Soviet films of lawyers in the law were documentary, they were shot on the construction of the White Sea-Baltic canal and in the special purpose camp on the Solovetsky Islands. The criminals with their tattooed bodies showed their readiness to work shockly for the sake of a "new life". At the same time, the term "socially close element" appeared as an opposition to "counterre", which it is impossible to re-educate.

Documentary tape about thieves in the law

The idea of using forced labor arose from Naftalia Frenkel, who himself served his sentence on Solovki, and she liked IV. To Stalin. To organize work and improve discipline, some organizational measures were clearly not enough, and the rank-and-file convicts were given overseers from among the "socially close", who could not work.

Among the numerous series of the documentary series "Investigation was conducted" there are movies of lawyers in the law, which appeared exactly at that time, in tragic and crucial decades. This is the story of the creator of the Gulag Frenkel, and the story of Vasa-Brilliante, who ended his life under mysterious circumstances in the colony "White Swan". The history of this phenomenon is rich in events: these are the "bitch wars" that took place in the camps in the postwar years, and the change in many of the basic concepts that took place in the perestroika decades.

Doc. The film "Thieves in the Law, or Life was a success" is an attempt, and in many ways successful, to explain to the Russian and foreign viewers the specific features of domestic organized crime. In order to understand the mechanisms of its activities, you must first find out by what rules it operates, and where it originates. The heroes of the film were Alimzhan Tokhtakhunov ("Taiwanchik"), Leonid Bilunov ("Mackintosh") and the creator of this work.

The criminal community is like a "state in the state", and various processes are taking place in it, power structures are reelected, "siloviki" are reorganized, and sometimes revolutions occur, as in the nineties.

Artistic film about crime

In addition to documentaries, the topic of domestic crime interested and the directors of the game cinema. In the second half of the eighties, many topics, previously forbidden, became quite permissible and even desirable.

The pre-perestroika Soviet movies about the authorities and thieves were characterized by an acute social orientation, declaring an irreconcilable attitude towards all violators of the norms of public life. The protagonist in them was always a militia officer (sometimes state security), and it was around his personality that the main storyline developed. The criminal's experiences, as a rule, were not covered. This was both a strong and a weak side of the domestic cinema.

The Soviet cinema-goer knew much more about the Italian or American mafia than about the domestic one, and this information vacuum required filling. In 1988, director Yuri Kara withdrew from thin. The film "Thieves in the Law". The credits indicate that the tape was shot based on the stories of the remarkable writer Fazil Iskander. Readers, who had time to love the works of this outstanding writer, were somewhat disappointed with the shift in emphasis. Instead of telling the story of the human drama, they saw the savor of the "smart life" of criminals, which, incidentally, ended tragically.

It was one of the first films on this subject. Further development led to a multitude of serials and art films, which relate with varying degrees of reliability about the fate of criminals, sometimes unjustifiably romanticizing them.