Maxim Bogdanovich: biography, works, interesting facts from life

Bogdanovich Maxim - literary critic, translator, poet, who sang his native Belarus and expressed in lyrical lines an unlimited, sincere love for his people. A classic of Slavic literature, lived a bright but very short life and left behind a rich creative heritage, telling about the people and the time in which they lived.

Maxim Bogdanovich: Biography

Maxim was born on November 27 (December 9) in 1891 in the family of a famous historian and ethnographer and from the very childhood showed a great interest in literature. This fascination was facilitated by the presence of an extensive paternal library, and even the family in which the boy grew up was very well-read and poetic. Maxim's grandmother was a noble storyteller, and any narrative for her became a whole creative act, uttered in a singsong and captivating fairy tale. Also, a grandmother, known in the Kholopenich district as a sorceress, knew many customs, proverbs, riddles, legends, sayings, medicinal folk remedies, was the bearer of folk antiquities; To her often came for advice, and in all solemn cases were invited as the manager.

Youthful years of the Belarusian poet

The dad's studies were carried out by the pope, trying as much as possible and accessible to give the child the necessary knowledge. When Maxim was 5 years old, his mother died of tuberculosis. The family moved from Grodno to Port, where the young man went to study at the Nizhny Novgorod Men's Gymnasium. During this period, Bogdanovich tries himself in the art of poetry, strenuously at the same time interested in politics and actively taking part in student and student demonstrations. After all, 1905 was in the yard ... Maxim Bogdanovich got on the list of "unreliable" people for his activities, which later had a negative impact on his fate.

The first samples of the pen

The first poem by Bogdanovich "Music" was published in 1907 in the Slavic newspaper "Nasha Niva". In this work the author told about Music, who walked a lot on the ground and played the violin, implying under the main heroine of Belarus with its long-suffering destiny and hope for quick changes for the better.

Even far from his homeland Maxim spoke in Belarusian, feeling a great sympathy for his native word. The love for everything Belarusian was supported in the youth not only by his relatives, but also by teachers who felt in the boy a sincere and piercing craving for the culture of their country.

Maxim Bogdanovich: interesting facts

In 1908 Bogdanovichi changed their place of residence to Yaroslavl. In this city Maxim, who dreamed of enrolling in Leningrad University on a course towards the Belarusian Shakhmetov, graduated from the legal lyceum, while actively continuing to create.
In his lyrical poems "Spring will come", "Over the grave", "Darkness", "Pugach", "In a foreign land", "My native land! As sworn by God ... ", published in" Our Niva ", the theme of the social oppression of the Belarusians and their national revival clearly sounds, in a short lyrical story" From the songs of the Belarusian peasant, "a deep faith in the creative forces of the people is expressed.

Creative period of Bogdanovich

In the meantime, tuberculosis took the life of his brother Vadim; In 1909, Maxim Bogdanovich himself became ill. Weak health and financial difficulties became a hindrance to the life path of a promising writer who devoted his entire life to literary work. The author consciously prepared himself for poetic activity, taught fiction (elegant literature), Slavonic Sanskrit, using Nosovich's dictionary as a desk aid. The writer also translated works of foreign authors (Polish, French, Ukrainian and Russian) into Belarusian a lot, devoting much of his time to the study of Slavic and West European languages and literature.

Key themes of Bogdanovich's works

In the years of study at the Lyceum Maxim Bogdanovich, whose photo can be seen in the article, he writes and actively publishes in local print runs and magazines, as well as Russian publications. He gained fame not only in his country, but also abroad. In 1913, the light saw the only collection, written in the Belarusian language, published during the poet's lifetime, the "Wreath", with 92 poems and 2 poems. The circulation was 2,000 copies.

The key theme of Bogdanovich's works was the experience for the Belarusian people, the idea of the liberation struggle against the tsarist empire. During this period, poetic lyrical stories "Veronica" and "In the Village" appeared - a tribute to the woman's admiration. "Romance" by Maxim Bogdanovich is a famous piece of the lyrics of love experiences. Through all creativity, the theme of death passed; The author believed in eternal life. His poems "In the Cemetery", "Free Thoughts", "Dumas" are imbued with Christian tranquility and a sense of divine immortality. The author constantly communicates with the stars and looks not at his feet, but upwards.

last years of life

In 1916, Maxim returned to his native Belarus, where he found a job in the provincial grocery committee. Health spoiled. Knowing about the terrible and inevitable outcome, Maxim worked tirelessly. In 1917, on the money collected by friends, he went to improve his physical condition in Yalta. It was his last spring. May 25, 1917 the poet was gone. The last brainchild of the Belarusian author these days was the compilation of a Slavic primer.

Maxim Bogdanovich was buried in the Outsk brotherly cemetery of the city of Yalta, 12 km from this place a monument to the Belarusian writer was erected. Also, the monument to the poet is set in Minsk, and his name is given to the streets in the cities of Belarus.

The poet's archive was preserved by his father - Adam Bogdanovich, who hid the sons of the manuscript in a chest, which he then took to a cellar and buried under ice. In the process of suppression in 1918 of the Yaroslavl uprising, the house of Bogdanovich was burned, the ice melted, and water entered the charred chest. Adam Bogdanovich dried, smoothed out the damaged manuscripts and handed them over time to the Institute of Belarusian Culture, who was interested in Maxim's work. In 1923, his father wrote "Materials for the biography of Maxim Adamovich Bogdanovich."