Lyrical digressions in "Eugene Onegin". Lyrical digressions are what

According to the definition, lyrical digressions are some statements of author's thoughts and feelings related to what is depicted in the work. They help to better understand the ideological intent of the creator, to take a fresh look at the text. The writer, intruding into the narrative, slows down the development of the action, breaks the unity of the images, however such insertions enter the texts naturally, since they arise in connection with the depicted, imbued with the same feeling as the images.

Lyrical digressions in the novel "Eugene Onegin" play a huge role, as you'll see after reading this article. It is devoted to their themes, functions and significance.

Features of the novel "Eugene Onegin"

The novel in question, A.S. Pushkin wrote for over 8 years - from 1823 to 1831. Petr Andreevich Vyazemsky, he wrote at the very beginning of the work on the work, which creates not a novel, namely "a novel in verse", and this is a "devil's difference."

Indeed, thanks to the poetic form of "Eugene Onegin" is very different from the traditional genre of the novel, because much more expresses the feelings and thoughts of the author. The work adds to the identity and constant participation and commenting of the author himself, which can be said that he is one of the main characters. In the first chapter of the novel, Alexander Sergeevich calls Onegin "a good friend."

Lyrical digressions and biography of the author

Lyrical digressions are a tool used by Alexander Sergeyevich Pushkin, in particular, to help us get acquainted with the personality of the creator of the work, his biography. From the first chapter we learn that the narrator left Russia and sighs about it "under the sky of Africa", which means the southern reference of the poet. About the grief and sufferings the narrator writes clearly. In the sixth chapter, he regrets the young years and wonders where the times of youth have gone, what the future is preparing for him. Lyrical digressions in the novel also help revive the bright memories of Alexander Sergeyevich about those days when he began to appear in the Lyceum gardens. They, therefore, give the right to judge the work as a history of the development of the personality of Pushkin himself.

Description of nature in digressions

Lyrical digressions are not only biographical data of the author. A lot of them are devoted to the description of nature. Her descriptions are found throughout the novel. All the seasons are represented: the winter, when the boys happily cut ice with skates, the snow falls, and the northern summer, called Pushkin's caricature of southern winters, and the time of love is spring, and, of course, Alexander's favorite autumn. The poet often describes different times of the day, the most beautiful of which is the night. However, he does not at all seek to depict extraordinary, exceptional paintings. On the contrary, everything is ordinary, simple, but at the same time beautiful.

Nature and inner peace of heroes

Nature is closely connected with the inner world of the heroes of the novel. Thanks to her description, we better understand what is happening in the soul of the characters. The author often notes the spiritual closeness with the nature of the main female image - Tatiana - and reflects on this, thus characterizing the moral qualities of her character. The landscape is often presented to us by this girl's eyes. She liked to meet on the balcony "dawn dawn" or suddenly saw morning in the window a whiteed courtyard.

Encyclopaedic works

V.G. Belinsky, the famous critic, called Pushkin's novel "the encyclopedia of Russian life." And we can not disagree with this. After all, the encyclopedia is some kind of a review, which is shown in the system, which is disclosed successively from A to Z. The novel is exactly this, if you carefully review all the present lyrical digressions in "Onegin". We will note then that the thematic range of the work unfolds exactly encyclopedically, from A to Z.

"Free romance"

Alexander Sergeevich calls his work "a free novel" in the eighth chapter. This freedom is expressed, first of all, in an informal author's conversation with the reader through lyrical digressions, expressing feelings and thoughts on his behalf. This form allowed Pushkin to depict the life of contemporary society. We learn about the upbringing of the younger generation, about how young people spend their time, about balls and fashion of the times of Alexander Sergeevich Pushkin.

Lyrical digressions of the novel "Eugene Onegin" cover the theater. He, talking about this amazing "magical land," recalls Knyazhin and Fonvizin, but especially his attention draws Istomin, who flies like a feather, touching one foot of the floor.

Lyrical digressions about literature

Lyrical digressions are an opportunity to express author's position regarding contemporary literature and its problems. This is the subject of many arguments by Alexander Sergeevich in the text of the novel "Eugene Onegin." In these lyrical digressions, the narrator argues about the language, the use of various foreign words in it, which are sometimes simply necessary to describe certain things (for example, a tailcoat, pants, a vest). Pushkin polemicizes with a strict critic who calls to throw off a wretched wreath to the elegy's poets.

Author and reader

The novel "Eugene Onegin" is both the story of his creation. The narrator converses with the reader with the help of lyrical digressions.

The text is created as if right before our eyes. It contains plans and drafts, as well as a personal assessment of the author of the novel. Alexander Sergeevich calls the attentive reader to co-creation. When the latter waits for the rhyme "rose", Pushkin writes: "Take her soon." The poet himself sometimes plays the role of a reader and strictly revises his work. Lyrical digressions introduce authorial freedom into the text, thanks to which the movement of the narrative unfolds in many directions. The image of Alexander Sergeevich is multi-faceted - he is both a hero and a narrator at the same time.

If all the other heroes of the novel (Onegin, Tatiana, Lensky and others) are fictitious, then the creator of this entire artistic world is real. He evaluates his characters, their actions, and either agrees with them, or disapproves, argues again in lyrical digressions. Built, therefore, on the appeal to the reader, the novel tells about the fictitiousness of what is happening, it seems that this is just a dream that looks like life.

Features of lyrical deviations

Often lyrical digressions in "Eugene Onegin" arise before the climax of the narrative, forcing the reader to remain in suspense, waiting for the further development of the plot. So, the monologues of the author meet before the explanation of Onegin and Tatiana, before her dream and a duel, in which Eugene Onegin participates.

The role of lyrical digressions, however, is not limited to this. They are also used so that the reader can better understand the essence of certain heroes. That is, they not only introduce new layers of "reality" into the artistic world, but also create a unique authorial image that mediates between the space in which the heroes live and the real world represented by the reader.

Lyrical digressions in "Eugene Onegin", thus, are very diverse in the theme and purpose of their inclusion in the narrative text. They give the creation of Pushkin a special depth and versatility, scale. This suggests that the role of lyrical digressions in the work is very great.

The novel, being built on the author's appeal to the reader, was a new phenomenon in the history of Russian literature of the 19th century. As time has shown, this innovation has not passed without a trace, it was seen and appreciated both by the contemporaries of Alexander Sergeevich Pushkin and his descendants. "Eugene Onegin" still remains one of the most famous works of Russian literature, not only in our country, but also abroad.