Directed by Stanislav Rostotsky: biography, filmography and personal life. Rostotsky Stanislav Iosifovich - Soviet Russian film director

Stanislav Rostotsky is a film director, educator, actor, People's Artist of the USSR, Lenin Prize Winner, but above all he is a man with a capital letter - incredibly sensitive and understanding, compassion for the experiences and problems of others. He is a man with great willpower and love of life, who, despite all his problems and difficulties, has not ceased to be surprised at the world around him, to enjoy every day and to notice the beauty around him.

Biography

Rostotsky Stanislav Iosifovich was born in the spring of 1922 in the Yaroslavl region, in the family of Joseph Boleslavovich and Lydia Karlovny. The boy was the only child in the family, and he was full of attention, and parental care, and love. Mom of the future director was a housewife, father - a doctor.

Children's years of Rostotsky are inextricably linked with the village. He spent a lot of time there as a boy. The love for truly Russian values - work, nature, earth - was laid in the young years. Stanislav experienced much of that time - an unsettled way of life; Cards for products for which bread could be purchased; Clothing inherited from the elder comrades or father. But Rostotsky liked all this: village people, their life, their hard daily work.

Life in the municipal communal flat is another element of the biography of the future director. The common residence of many families in one apartment is a special time that has not gone unnoticed through the heart and soul of Stanislav Iosifovich. All these conditions of life, the circumstances in pieces formed into a general picture, laid down and formed the character of Rostotsky.

Dreams and plans for the future

The dream of becoming a great director did not bother Stanislav Iosifovich from a young age. As a five-year-old tomboy, he saw "Battleship" Potemkin "Sergei Eisenstein. The picture impressed the boy so much that he decided at all costs to link his life with the cinema.

Later, Sergei Eisenstein became for Rostotsky a friend, a teacher, even more - a mentor for life, a man who laid the foundation for shaping the personality of the future director, his moral and ethical principles, the main character traits.

The fact is that, by will of fate, the future actor Rostotsky Stanislav got to the screen test in the picture "Bezhin Meadow" by Sergei Eisenstein, where he got acquainted with the great director.

At the age of sixteen, young Rostotsky turned to Eisenstein for help - a young man asked the venerable director to teach him the basics of the profession. In return, Rostislav was ready to perform any unsightly work - to manage the household, clean shoes, etc. Sergei Eisenstein with humor took such an ardent proposal of a young man, and first he recommended that the young man seriously engage in self-education - to study the world art, music, literature. The great director was firmly convinced that without knowledge there is no direction.

Military years

After graduation Stanislav entered the Institute of Philosophy and Literature. Communication with Eisenstein did not pass without a trace. The young man was firmly convinced that in the future he would go to the Institute of Cinematography. However, soon the war began, which confused all the cards Rostotsky. VGIK was evacuated, and now it was possible to forget about studies.

Rostotsky was drafted into the army in 1942. I must say that in peacetime, the future director had health problems and was considered uncomfortable. However, the military situation has corrected this fact. In 1943, a young man was sent to the front, where he experienced all the horrors of the war, and his nose to the nose was faced with death. To him, a boy who grew up in love and harmony, with a subtle spiritual organization, was painfully aware of the whole nightmare of what was happening around him. This hard life experience has not passed without a trace. He was reflected first in the director's memoirs with the simple title "Autobiography", and later in his films, which left an indelible mark on the hearts of Soviet people for many years - "A Dawns Here Are Quiet", "May Stars", "On the Seven Winds".

The war is gone. And what's left?

In February 1944 in the territory of Ukraine Stanislav Rostotsky was seriously wounded. He was hospitalized first in Rovno, then in Moscow. The young man was operated several times, however, doctors did not save his leg - it had to be amputated.

In August 1944, Rostotsky received a disability and returned to Moscow. He did not give up, did not feel sorry for himself, he did not break after the experience, he did not give up his hands, he did not stop believing in his own strength. Stanislav, not paying attention to life's misfortunes, decided at all costs to realize his childhood dream. He entered the Institute of Cinematography at the rate of Grigory Kozintsev. The man with his head went to school, which brought incredible joy and pleasure, tried to absorb every little thing, did not miss anything, tried to learn what was possible, tried to use every chance.

From this moment a new stage in the life of the young Rostotsky began. Studying in VGIK gave the future director a fateful meeting with his wife. Stanislav Rostotsky and Nina Menshikova, who studied at the course with Sergei Gerasimov, met while studying at the institute.

Family of Rostock

The girl Nina immediately "put an eye" on the pretty Rostotsky. However, in order to win the heart of a man, seriously did not expect. Rostotsky was always surrounded by numerous fans. Family happiness and the fate of the young beauty Menshikova decided the case, which gave life. Nina, like the wife of the Decembrist, went after Rostotsky on a distant creative business trip, where the future director was traveling with Comrade Vladimir Krasilshchikov. Joint life brought together young people, Stanislav fell in love.

In his memoirs, however, Rostotsky admitted that Nina's initiative to go is unknown where to two unfamiliar men he was surprised and did not even like it. However, later he changed his mind. After a while young people got married.

Nina Menshikova played about sixty roles in films. Stanislav Rostotsky was the director of some of them. The audience will always remember the actress's roles as a teacher of Russian language and literature in the film "We'll Live To Monday", the role of Vera Timofeevna Kruglova in the comedy "The Girls".

In the marriage of Stanislav Iosifovich and Nina Evgenievna, Andrei's son was born, who later became a famous actor. Apparently, the heredity of two creative talented people was passed on to the child.

The beginning of the creative path

In parallel to his studies at the institute, Rostotsky helped Kozintsev at the Lenfilm studios, thanks to which he received not only invaluable experience, but also a good recommendation as a ready-made independent film director at the end of a higher educational institution.

Since 1952, Stanislav Iosifovich worked at the studio named after Gorky. That period of time is characterized by the "Khrushchev Thaw", which has not bypassed the cinematography - the instructions to shoot as many pictures on an agricultural theme scattered throughout the country. Of course, this fact was immediately reflected in the work of the maestro. Within the next five years, the light was seen by two pictures - "Earth and People" and "The Case was in Penkovo", the author of which was the director Stanislav Rostotsky.

The film "Earth and People", before appearing before the audience, for some time lay on the shelf. The fact that the movie was shot on the story of Gabriel Troepolsky "Prokhor the Seventeenth and others." The manuscript was banned for publication, since it exposed the unenviable position of the country's agriculture at that time. The film suffered the same fate - the art council forbade it to show, and the director Rostotsky hanged the counterrevolutionary label.

However, soon the situation changed - the picture was removed from the picture, its premiere took place on the day after the XX Party Congress.

The film "The Case was in Penkovo" also had a hard way to the viewer, but later had a resounding success.

«We'll live till Monday»

Stanislav Rostotsky, whose films resonate in the hearts of many spectators, created another masterpiece, incredibly good, and such a truly spiritual one - "We'll Live Up to Monday." She became not only his visiting card, but also opened a new direction in cinema of the USSR - youth cinema.

The events of the film unfold in the school - a place where there is a constant interaction of two generations - the elder and the younger. And not always teachers teach the lives of their students. The school brotherhood often presents life lessons to his teachers. Rostotsky tried to break in his picture existing at the time stereotypes of pedagogy, and proposed an alternative to standard school education.

The film was shot in an incredibly short time. The shooting of the painting lasted only three months. This saved him from censorship, which, apparently, would have put the tape on the shelf. However, the ban simply did not manage to overtake the picture.

The first to see the film was the delegates of the All-Union Congress of Teachers. Officials expected that the participants of the congress would fool the picture. But everything turned out exactly the opposite.

Subsequently, in 1962, the film was awarded the State Prize of the USSR and the Grand Prix at the Fourth Moscow International Film Festival.

Military themes and not only

In 1972, Rostotsky withdrew another of his masterpiece - the film "The Dawns Here Are Quiet" based on the story of Boris Vasilyev. The picture that showed the face of the war in the fate of young girls who had just begun their lives, their heroism and an immortal feat, responded painfully to the heart of many people.

In general, Rostotsky Stanislav Iosifovich in his films always in the center of events portrayed the feelings and emotions of the characters, brought to the fore the very best human qualities. All his pictures are alive, they awaken the soul, make it worry and worry.

The picture "A Dawns Here Are Quiet" - the winner of international film festivals - was nominated for an Oscar. This film about the war is a dedication, a tribute to all those who fought for their country, who survived, and those who died.

Stanislav Rostotsky, whose filmography numbered more than a dozen stunning paintings, nothing would show the world, not meet on his way Anya Chegunova. The director owes his life to this man. Anna Chegunova - an ordinary woman who voluntarily fought at the front until May 1945. Nature has awarded her not only with beauty, courage, but also with a compassionate heart. She pulled Rostotsky out of the battle in the truest sense of the word on his hands. After the war she married, gave birth to children. But the war did not let her go. Memories, heavy experiences did not pass without a trace - a woman discovered brain cancer. By the time the film was mounted, it was already blind, but Rostotsky brought her to the studio and commented on everything that was happening on the screen. Stanislav Iosifovich was an incredibly sensitive person.

Another touching tape, we owe the director Rostotsky. The film "White Bim Black Ear" was awarded the Lenin Prize. She also took the Grand Prix of the festival in Karlovy Vary.

Rostotsky. Who is he?

In the early 1990's, the director left the movie. On accumulated during the life of accumulation and the pension of a war invalid, he and his wife led a quiet and unhurried life, enjoying each given day.

Stanislav Rostotsky, whose biography, like a film, has many positive and negative spots, managed to remain sincere, genuine, sincere. He left the cinema many years ago, but even after the years of his colleague in the shop they remembered with warmth this incredible person, not only noting his professionalism, but also his spiritual qualities. For example, Svetlana Druzhinina, who starred in Stanislav Iosifovich in the film "The Case was in Penkovo," speaks of Rostotsky as a man with an endlessly sensitive soul, an amazing intuition and a creative flair. She says that she has learned from him many director's working methods, as well as the ability to make bold decisions, the ability not to hesitate, but to take risks.

Boris Vasilyev, whose story Rostotsky shot the film "A dawn here quiet" says that the picture was removed very simply - the heart, and it was not false, it did not cause disgust. The writer says that with Rostotsky he had the happiest work in the cinema, because no one respected copyright as much as he did.

In August 2001, Stanislav Rostotsky died of a heart attack on the way to Vyborg for the film festival "Window to Europe".

A year after his father's death, Rostotsky's son Andrei died. The tragedy occurred on the set of the film in Krasnaya Polyana, a man broke from the mountain.

Nina Menshikova lived for another five years and also left this world. This amazing, full of love family left sharply and very unexpectedly. Stanislav Rostotsky, Nina Menshikova and Andrei Rostotsky are buried in Moscow at the Vagankovskoye cemetery.