Nadezhda Kosheverova: biography, filmography, photo

Kosheverova Nadezhda Nikolaevna, whose biography is described in this article, was a film-storyteller in Soviet times. She received the title of Honored Artist of the RSFSR. Her films are still relevant and loved by the audience. Many have entered the treasury of the national cinema.

Education

Kosheverova Nadezhda Nikolayevna was born in St. Petersburg, September 23, 1902, her childhood attracted creativity, namely the puppet theater. After graduating from high school, Nadezhda Nikolayevna went to the acting school, which was opened at the theater "Free Comedy". She graduated from it in 1923. In 1925-1928. Nadezhda Nikolayevna continued her studies at the film factory FEKS (Eccentric Actor Factory).

First creative steps

After graduating from the acting school (from 1925 to 1928) Kosheverova played in the St. Petersburg Theater of Satire and some others. After I got a job at the film studio "Lenfilm" as an assistant director. After a while she began to study filmmaking.

Beginning of directing activities

For the first time Nadezhda Kosheverova, whose biography is closely connected with the cinema, took part in the creation of films about Maxim, which were filmed in 1937 ("The Return of Maxim"), in 1934 ("Maxim's Youth"), in 1938. ("Vyborg side"). The first self-made picture "Once in Autumn" based on the novel by M. Gorky was ready by 1937. But, unfortunately, the film never survived.

Work on yourself

When Nadezhda Nikolaevna started working at Lenfilm, the term director meant only men. And in the female hypostasis this post was not widespread. But Kosheverova stubbornly pursued her goal of becoming a director.

She diligently developed a male character. On the set was stiff, although she staged mostly comedies. She had little sense of humor and was extremely rare. She surrounded herself with a lot of conventions on her own initiative and staunchly adhered to them. In her films, it's difficult to find sentimental scenes.

Recognition of director talent

In 1939 Kosheverova removed the lyrical comedy "Arinka". The film not only came out on the screens, but also won the attention of the public, becoming the leader of the 1940 hire. Before the war, Nadezhda Nikolayevna managed to shoot another film - "Galya." She talked about the Finnish war. But the film was banned for display. And this was the reason why Kosheverova left serious genres and began to shoot children's.

Creative director duo

Her first picture-fairy tale "Cherevichki" was filmed in 1944 in the form of an opera version. And the author of the script was Nadezhda Kosheverova. At this time, she met with Mikhail Shapiro, also a director. During difficult war years, they became an excellent working duet. And in 1947 on the screens went a fairy tale, which became legendary, "Cinderella".

But it was not easy to shoot children's films because of competition. This genre was dealt with by two more remarkable directors: Ptushko and Rowe. Their tales of "Vasilisa", "By the Pike's Command" and many others appeared on the screens with difficulty. The authorities believed that this is a frivolous genre, it is necessary to create serious documentary films.

Nevertheless, the "Stone Flower", which shot Ptushko, won the Cannes Festival. And after the war, a fairy tale was published by Kosheverova, "Cinderella".

According to the scenario, the heroine must be only sixteen years old. But Nadezhda Kosheverova persuaded the authorities to take on the main role in the tale of their familiar, 38-year-old actress Iainina Jaimo. Shapiro and Kosheverova managed to find a wonderful creative team for shooting the fairy tale. In 2009, the film was restored and is now stored in two versions: color and black and white.

Forced break in work on the film-fairy tale

After "Cinderella" Nadezhda Nikolaevna was forbidden to shoot fairy tales for fifteen years. But Kosheverova found an equally interesting genre, and in 1954 another legendary picture appeared, filmed together with A. Ivanovsky - "Tamer tamer". The film immediately became the leader of the rental.

Further, Nadezhda Kosheverova, whose filmography from this time began to increase rapidly, took off the melodrama "Honeymoon", the comedy "The Chaotic Willy" and "Watch out, Grandma!".

Return to fairy tales and dismissal

Nadezhda Nikolaevna continued to shoot the tale again only in 1963. Again in a duet with Shapiro was released the film "Cain XVIII". The picture combined a fairy tale and a political pamphlet. The basis was taken by another - "Two friends." Because of censorship, the script was rewritten several times.

At the premiere, Khrushchev happened to be. Part of the film, he just overslept, but still managed to see the incorrectness in one piece. In this episode, men dressed in women's dresses to make their way into the princess's chambers. Khrushchev "tore and metal" for corrupting the moral foundations. In his opinion, the screen showed the "blue". He fired for this fragment not only Kosheverov, but the whole group. And the picture was shown only in limited edition.

Nadezhda Kosheverova, whose photo is in this article, decided to once again remove the circus comedy. As a result, the movie "Today is a new attraction" was released on the screens. In it, F. Ranevskaya played her last role. After this picture, Nadezhda Nikolayevna again returned to the genre of fairy tales. So in 1968 the "Old, Old Fairy Tale" was born. The main role in it was played by Oleg Dal, and the world met a new actress - Marina Neelova.

This film was loved not only by children, but also by adults. As a result, the picture became very popular, like most of the filmed Kosheverova films. In the "Old, Old Fairy Tale" Nadezhda Nikolaevna was the first, even before M. Zakharov, to use the modern texture of the dialogue.

Kosheverova: the view from the side

M. Boyarsky told me what impression Kosheverova made. According to him, she herself was like a native of a fairy tale or looked like a resident of the nineteenth century. She wore extraordinarily long dresses, she always wore sweaters, which made her feel cozy and old. Nadezhda Nikolaevna was always extremely polite and touching. She never cursed. From her no one heard not that foul language, but even literary curses.

And there was no reason to be so nervous with Kosheverova. She was considered a director of the highest class. Her films have always been in demand and many have become legendary and eternal. Therefore, money for shooting was allocated for Nadezhda Nikolaevna always.

Continuation of directing activities

After the "Old, Old Tale", Nadezhda Kosheverova returned to this genre on an ongoing basis. In 1972, the screen saw a musical film "Shadow", shot on the play by E. Schwartz and written based on Anderson. In this picture, again starring Marina Neelova and Oleg Dal.

In 1974, a new musical picture appeared - the comedy "Prince Prosh". Nadezhda Nikolaevna shot her for Russian folklore motives. Then came two more tales: "The Nightingale" and "How Ivan the Fool went after a miracle".

In 1982, the screenshots of the picture "Donkey's Skin" by M. Perrot's fairy tales. This film received the main prize at the Kiev film festival "Fairy Tale". In 1984, spectators were able to appreciate the new picture "And here came Bumbo" according to Kuprin's story. In the film, there were a lot of puppet scenes parallel to the reality.

Completion of the creative path

Nadezhda Kosheverova finished her career in 1987, having shot the last picture in her life about the adventures of Makar "The Tale of a Lover's Love". Total talented director has put more than twenty films. Many of them became pearls in the treasury of the national cinema. Kosheverova became the best Soviet filmmaker-storyteller. Fans of her talent remember, appreciate and love Hope so far. The image of the talented director continues to live in her films.

Nadezhda Kosheverova (director-storyteller) preferred to shoot children's pictures. They differ from the works of other directors with mild humor, lyricism, musicality and entertaining subjects. All the tales were beautifully costumed. A striking example is Cinderella.

At that time in Leningrad it was almost impossible to find not that beautiful fabric, but even ordinary and unattractive. As the actors later recalled, the costumes for the fairy tale were sung almost "out of thin air." But Kosheverova was able to create a masterpiece from almost emptiness, providing the group with a chic in those days props.

Personal life

Kosheverova married for the first time NP Akimov, People's Artist of the Soviet Union. They worked together on such paintings as "Cinderella" and "Shadows." But after a while they realized that they did not suit each other, and divorced.

AN Moskvin became the second husband of Kosheverova. He was a famous Soviet operator-director. They have been great friends for a long time. They shared their common love for creativity. In time, friends decided to get married, which Nadezhda Kosheverova had long dreamed of. The son, born in this marriage, was named Nicholas. In the ninety-fifth year he died.

Death of Kosheverova

Kosheverova Nadezhda died on February 22, 1989 in Moscow. Was buried in the village. Komarovo, which is located near St. Petersburg. The grave is modest, there is no grave monument. Nearby is buried the son of Kosheverova.