Strzhelchik Vladislav: biography, personal life, family, photo, filmography

A good actor can be seen in two or three roles in a movie. Because in each of them he reveals himself completely, lives the character's life as his own. And then for many, many years, grateful spectators will remember the actor in warm words, even many years after his death. Strzhelchik Vladislav was one of those actors, which is impossible after the screen captures the titles of the scanned film.

Childhood barefoot

In Petrograd, on the last day of January 1921, a boy named Vladislav appeared. His father, Ignaty Petrovich, was from Poland, and he came to Petrograd after the First World War. He was a very religious man, but at that time he had to go to the church in secret. Ignaty Petrovich had been frightened all his life because he might be arrested.

Strzhelchik Vladislav was a late child. He was the most ordinary boy, like hundreds of thousands of other Soviet children. He was a little shabby child, very fond of sweet, however, like most kids. At school he did not study very well, but still sitting at his desk, he was just raving about the theater. A little later the young man enters the theater studio at the Bolshoi Drama Theater (BDT). This was the course of the same "cine" Chapaev - Boris Babochkin. Studies have captured him all. He was still a student when he was enrolled in the auxiliary staff of the theater's actor's troupe. The outbreak of the war stopped the educational process that was developing so successfully.

Military terrible years

Strzhelchik Vladislav was at the front throughout the Patriotic War. At first he was in the active army, later - in the military ensemble. Even many years after the war was over, Vladislav recalled this terrible time, that cold and hunger that constantly accompanied him. He always tried to bring the rations given to him to his parents when they lived in the besieged Leningrad. Vladislav Strzhelchik, whose photo often appears on the pages of glossy publications, traveled to the city for three dozen kilometers - when on foot, when on a passing car. It used to happen that I got under fire. The horror that he then experienced, the actor could not forget until his death. Probably, it was after those terrible days that he had a habit of filling the refrigerator with different products. He constantly bought everything for future use and necessarily in large quantities.

In 1947, Vladislav Strzhelchik, a biography whose personal life evoked the unquenchable interest of fans of his extraordinary talent, received a diploma about the end of the school-studio at the Leningrad BDT. The following year he was already a member of the troupe of the Theater. Maxim Gorky (now - named after G. Tovstonogov).

Light of a new life

After the first played role in the play "Much Ado About Nothing" (the actor was offered the role of Clavdio), the role of the hero-lover embodied on the stage as a trail stretched to other performances as well. The people were exhausted by a terrible war and blockade, hunger and emotions. Now everyone tried to restore the ruined city as soon as possible in order to try, if not to forget about the horror, then at least to move it a little further away into the back alleys.

People, like little children, receptive to everything new, beautiful and bright, looked at a completely new, some fairy-tale life, where there is much laughter, jokes, fun, where there is no fear and misfortune.

Theatrical Rhapsodies

The theatricals hastily hastened to Alexandrinsky for the "old men," but the BDT accepted younger spectators, the bulk of whom were women who went to the charming and seductive Strzhelchik. The recognition and warm attitude of the public finally come to the young actor. Praised his work in the play "Enemies" (the role of Grekov). Vladislav Strzhelchik, whose filmography was rich in interesting and memorable roles, did not refuse from the costume roles. He gladly agreed to play in The Unveiled Miracle-worker, The Girl with the Jug, The Servant of Two Masters.

Serious as ever

In his life and in his favorite work, the actor adhered to several pedantic rules. Maybe someone will find it too tedious and completely unnecessary, but not to such a master as Strzhelchik was. He never allowed himself to be late even for five minutes to rehearse. He was terribly annoyed if one of his partners forgot the lines or did not finish his role. If someone from the artists who are at the same time with him on the same stage, not exactly as required for the role, followed a given director's pattern, Strezhelchik could break out like a torch.

His work was very dear to him, even sacred. And he treated her with great love and scrupulousness. Vladislav Ignatievich always stayed in shape, always in his voice. After all, a voice is an instrument of his work, and a professional, to whom the actor justified himself, does not have the right to drink on the eve of the performance and put himself a voice.

Gradually, from year to year, he managed to move from the roles of light, flying, to a rather dramatic and characteristic - in the "Three Sisters" he played Kulygin, in the "Cliff" - Paradise, in the "Barbarians" - Tsyganov.

Solomon Gregory

All these roles brought Střelchik closer to an unusually accurate disclosure a little later than a character with an unusual name for a philistine, Solomon. It was Miller's play called "Price." The actor played the part of Solomon Gregory. Critics who could smash any actor and role he played, admired this work of Vladislav Ignatyevich, taking it to a certain masterpiece, to the top of the creative path. Incarnate on the stage of the theater, the image of an old man of 90 years old was rich and juicy in texture. Solomon lived on the stage of the BDT for twenty-five years. Despite the fact that in the course of time Strzhelchik's partners in the play changed, it was on him that the performance was held, it was the spectator who came to his name, thanks to him this performance was going on with deafening and unending success.

Strzhelchik and others

Strzhelchik Vladislav could joke and with great pleasure did it. Perhaps the most vivid manifestation of this talent of the eminent actor was in the play "Hanuma". He played the Georgian prince Vano Pantiashvili, who thanks to the actor literally shone with the finest humor. Words and gestures of Vladislav Ignatyevich, every turn of his head, were imbued with them.

His colleagues still remember with warmth how pleasant it was to work with him, how easy it was for everyone to share a scene with him. Strzhelchik always very strictly obeyed logic. Among the actors there is an opinion that they should interact with each other during the performance on the principle of "loop-hooks". Strzhelchik was an ideal partner, he always felt a partner. When he worked in the play with Alisa Freindlich, all the skill was built on an exclusive partnership. And in life they were friends, Vladislav Ignatievich even baptized Alisa Brunovna's grandson.
Each time from one performance to another, new, profound and interesting facets of the talent of the great artist were opened.

His film masterpieces

A long and warm friendship developed in Vladislav Strzhelchik with the cinema. The roles were very many, all real, voluminous, excluding any stereotypes. It has never been possible to say that some character was accidental for the actor. He was a Roman ruler from the "Visitation of Courtesy" and Yaichnitsa from the "Marriage", Andrei Tupolev in the "Poem on the Wings" and adventurer Naryshkin from the "Crown of the Russian Empire", fearlessly wandering around the parapet of the Eiffel Tower.

At the same time, the role of a good man and a great aircraft designer Andrei Nikolayevich Tupolev proved to be fertile and challenging. This character was very bright, large-scale, simply amazing. In this personality there was everything: both man and epoch.

In another picture - "The Adjutant of His Excellency" - he very carefully entered the life of the heroes, into their personal lives. Yes, and this product in its form is quite chamber. It required from Strzhelchik several other details in the characterization of his hero, other details.

Secret

Many years in the theater about the actor gossiped that he does not leave any cute woman with attention. He adored women, every acquaintance at the time of the meeting was necessarily interested in her life, her family, her children. At the same time he was a jealous man who was convinced: mine and only mine. This was Vladislav Strzhelchik. Personal life He was connected with his wife, Lyudmila Pavlovna, whom he sincerely loved.

There was always an ideal order in their house. They knew how to live beautifully. House Strzhelchikov differed from others in that everything was exquisite.

Once on stage, the actor forgot a piece of his text and did not even understand what happened. The diagnosis he was given was struck by his cruelty: brain cancer. He left for a long time, painfully. And none of those who knew him could believe that this was the end. After all Strzhelchik and death simply did not knit one with another. So Vladislav Strzhelchik remained in the memory of millions. His family was small, but love reigned in her. The actor was like life itself. His heart stopped on September 11, 1995.