Isakova Victoria: 5 best movies with the actress

Isakova Victoria is familiar to Russian viewers on numerous roles in domestic TV series. The actress has a memorable appearance and, undoubtedly, copes well with her roles. Let's remember the best of her work.

Victoria Isakova, filmography. "Hunting for a piranha"

Andrei Kavun's action "Hunting for a piranha" immediately cuts into the audience's memory: a good cast, dynamic plot, spectacular full-scale shooting. Isakova Victoria in this film played a far from simple role: her heroine - Sinilga - a degrading person, takes drugs and gives very doubtful pleasures along with his psychotic friend Prokhor (Yevgeny Mironov).

Sinilga is a part of a fun company that hunts live people in the taiga. The role of one of these living "targets" was played by Vladimir Mashkov. In one of the fights, Sinilga perishes.

In the film "Hunting for a piranha" Isakova does not look like herself: a pale, painful face and snow-white pigtails. But with the role of a half-crazy drug addict, the actress coped well.

TV series "Tower"

Isakova Victoria is able to choose interesting roles in the cinema. On her account - participation in yet another exciting project - the mystical series "Tower."

According to the story, the heroine Isakova - pregnant Eva - is locked in a fashionable building called "Tower" along with several people she does not know. Isolated from the whole world, the characters of the series are faced with the fact that around them a phantasmagoric space has formed, in which time flows not as usual. Moreover, people locked in the tower, absolutely do not know how to get out of it. The only thing that unites all recluses is that they were in the past somehow connected with the creator and designer of the building.

The partners on the stage of Victoria this time were Igor Kostolevsky, Vitaliy Kishchenko, Evgenia Osipova, Chulpan Khamatova and Agnia Kuznetsova.

Mirrors

Isakova Victoria in the movie in 2013 "Mirror" played the role of the famous poetess Marina Tsvetaeva. This is the first biopic that was dedicated to the life of this eminent woman.

The painting covers that period of Tsvetaeva's life, when she was fascinated by Sergei Efron. Novella for the novel, the director of the picture Marina Migunova shows the days of their first meeting in Koktebel, then the revolution, the emigration of the poetess to Paris and Prague, her return to the Soviet Union. And, of course, that episode of life when she receives news of the death of a beloved man.

Perhaps between Victoria and Tsvetaeva there is something in common in character and temperament, because this role can rightfully be considered one of the best in Isakova's filmography.

"Thaw"

Victoria Isakova, whose photo has been appearing in magazines for some time, was noted in one more sensational film - The Thaw. The film was directed by Valery Todorovsky. In the filming were busy with the stars of Russian cinema, like Eugene Tsyganov, Mikhail Efremov, Anna Chipovskaya. Music for the series was written by Konstantin Meladze.

In the center of the dynamically developing plot is the Soviet time of the 60s and the life that the acting and directing intelligentsia lived. Victoria Isakova played the role of actress Inga Khrustaleva - a thirty-year-old woman who seemed to have succeeded in a career, but a complete failure in her personal life. Khrustaleva is trying to keep the blow and stay cool, but she does not succeed in playing the bitch.

"Motherland"

The "Rodina" thriller was shot based on the Israeli TV series "Prisoners of War". Victoria Isakova again shines in the frame in a pair with Vladimir Mashkov.

The heroine Isakova - Anna Zimina, who works as an expert analyst in the FSB and tries to expose the hero Mashkov in connection with the terrorists. This fight ends for the woman deplorably: although she was right in her suspicions, Bragin (Vladimir Mashkov) at the last moment changes his mind about committing a terrorist attack, so for everyone around Zimin remains only a madman who exceeded her powers and slandered the hero of Russia. Zimina at the end of the film herself does not understand where the reality is, and where her imagination is, so she voluntarily goes to a psychiatric clinic and agrees to treatment with electric shock.