Vija Artmane: biography and photos of the Soviet actress

Vija Artmane, whose biography and creativity is the subject of this review, is one of the most famous and popular Soviet and Russian actresses. She became famous for the performance of the images of a predominantly classical repertoire, but in her filmography there are the roles of her modern time heroines, the embodiment of which she managed as well as theatrical images.

early years

The execution of heroines of pure, strong, strong-willed and at the same time surprisingly lyrical became known to Vija Artmane. The biography of the actress shows how complicated and difficult her life was, but at the same time proves the wealth of her inner world and the strength of her spirit-qualities that helped her overcome life's difficulties and adversities. The future famous star of the Soviet screen was born in 1929 in Latvia, in Tukums. Her mother was Polish, and her father came from the Baltic Germans. He died as a result of an accident before his daughter was born.

Alida (such is the real name of the future actress) grew up in difficult conditions. Her mother for the second time unsuccessfully married, but the marriage was short-lived, the family broke up. A young woman was forced to make a difficult living, and the girl worked for a while as a cowherd boy. Mother wanted her to get a serious profession, become a lawyer. Vija Artmane, whose biography later turned out to be closely connected with the Latvian theater, also thought about the career of a lawyer, but her creative nature was more attracted by the cinema and the stage, so she went to Riga, where in 1946 she entered the theater school.

Years of study

The girl studied in a group that was attached to the prestigious Art Theater. J. Rainis. It was here that she changed her name and actually started a new life. A great role in these years of training (from 1946 to 1949) for the emergence of her as an actress was played by the head and founder of the famous troupe E. Smilgis. According to the recollections of the actress, he taught his pupils to think independently and to orient themselves on the stage. These lessons were fully realized by Viya Artmane in her first performances. The biography of a young and talented student from now on for fifty years has been associated with this theater.

First roles

Her first and, perhaps, most significant roles she played just under the direction of Smilgis. The girl has perfectly proved herself as an excellent performer of the roles of the classical repertoire. So, for example, she played the role of young Juliet and Queen Elizabeth of England. Here it should be noted that the role of royalty was bestowed upon her especially well, and it was not without reason that she was rightly called the queen of the Soviet screen. Vija Artmane, whose personal life was very difficult, in contrast to her professional career, in addition to the roles of the classical repertoire, she wanted to play modern women. Being rich and creatively gifted in nature, she wanted to embody the images of the heroines of her time, and this opportunity was provided to her by the cinema.

Success

The young actress made her debut in the movie in 1956 in the film After the Storm. However, this role did not bring her great popularity: the shortage of the script, as well as the unpreparedness of the girl for the camera and the set, affected. Nevertheless, she was noticed, and the next role has already become a landmark in her filmography. The painting "Native Blood" (1963), telling about the hard life of the ferryman Sonya, alone during the war of raising three children and about her lover, a tankman who after the death of a young woman replaced the real father's children, became a breakthrough in the career of the actress. Viya was named the best actress.

She managed with amazing accuracy and extraordinary skill to convey the spiritual experiences of this subtle noble nature. Such lyrical spiritualized, but strong images were especially successful for the actress, she was able to play the heroines of her time with amazing truthfulness.

Confession

Actress Viya Artmane, whose biography is marked by ups and downs, became a real star of the movie screen. The next film, which became a landmark not only in the career of the actress, but also in Lithuanian and Soviet cinema - "No one wanted to die", filmed in 1965. This tape was a real breakthrough and brought the all-Union glory to the performers of the main roles (for example, it was this picture that made young D. Banionis one of the most popular actors of his time).

The film, which tells of the hard post-war 1947, the difficult time for the approval of Soviet power in Lithuania, was universally recognized. Love melodrama "Edgar and Christina", released in the rental in the next year, finally consolidated the success of the actress. All of the above roles have made the actress one of the most famous stars, and in her native country she enjoyed a special recognition and respect.

Social activities and new work

Vija Artmane, biography, whose photo is presented in this section, in addition to a successful theater, television career, she did a lot of public work. Thus, she headed the alliance of theatrical figures in her homeland, and also became a member of the Soviet Peace Protection Committee. These titles better than any words clearly show the degree of recognition and respect for the actress. Until the mid-1970s, it was not shot much, but in 1978 a new film with her participation was released, which again lifted her to the top of popularity. It is about the adaptation of S. Maugham's novel "The Theater".

In this film, Vie got the main role, which became really significant in her filmography. She embodied on the screen the image of a strong woman, the main character of Julia, an actress who at a mature age again had to experience a strong feeling for a rather ordinary young man, who later changed her. This drama caused the heroine's revenge on her opponent, and in this story line her character is revealed: strong, proud, but sinister and inexorable. The actress considered her heroine to be an honest woman, as she always understands her actions. This work again made the singer a popular and popular director.

Life in the second half of the 1980s - early 1990s

Vija Artmane, information about which is interesting in that she shows the multifaceted talent of this successful actress, in the following years she appeared in several more successful films. One of them is the film "The Man of the Entrance", in which she played the role of an all-powerful secretary. This image turned out to be very close to the source - to the well-known story of V. Makanin. The next landmark role - the performance of the main character in the debut film of V. Todorovsky "Hearse" (1990). The picture was ambiguously evaluated by critics, although it received a number of prestigious awards at festivals, but the performance of the actress received positive reviews. One critic rightly noted that the actress was able to portray an elderly woman who was used to commanding a particularly convincing image, but she was unable to arrange the destiny of her sick daughter in the declining years, being deceived by a clever adventurer.

Other roles

Vija Artmane, whose facts demonstrate the versatility of her talent, in the perestroika years, retained her status as one of the country's most talented actresses. In 1991, she played a small role in the film "Love", performing in an unusual comedy repertoire, which, however, she was brilliant. At the same time, she continues to work actively in the theater. One of her best roles of this period is the image of Teresa Raken from the novel by E. Zola.

Going to another theater

In 1998, she left the Art Theater and moved to work at the Riga Youth Theater. The actress explained her decision this way: she decided that it was necessary to give way to the young, as the troupe grew, the number of performances increased, and it almost did not get roles; In addition, she, like a recognized artist, had other opportunities to realize her creative potential.

At the new place, she played the role of the Countess in a rather interesting production of The Queen of Spades, which is distinguished by an unusual interpretation of the classics. Her latest works in the film include roles in the series "Kamenskaya", as well as the embodiment on the screen of the image of the Russian Empress Catherine II. So, Viya on the slope of the years returned to the image from which, in fact, she began her amazing career.

A family

Vija Artmane, her private life, whose children became a rather difficult test for her, because her fate behind the screen was very difficult, was not happy in the family. She was married to actor A. Dimeters, with whom she developed a rather complicated relationship. The spouse was jealous of her, and she was not indifferent to her partner E. Matveev. Nevertheless, they lived in marriage for twenty-seven years, the actress herself was very kind to her husband and always warmly remembered him, although she admitted that family life was not easy for her.

The actress claims that her main task in her personal life has always been the preservation of the integrity of the family and marriage for the sake of children, and she succeeded. After the death of her husband, she began serious problems with health and financial situation. Viya Artmane, whose family was saved largely thanks to her efforts, patience and work, now experienced difficulties with housing: her apartment was taken away, so she had to live for some time in an old, very bad house in difficult conditions.

Last years

A few years later, she still returned to housing and rewarded for merits in the cinema. Her son became a musician, daughter - an artist. The actress experienced the disintegration of the Soviet Union very hard, arguing that Russian and Latvian cinema gave her a lot for professional growth, and therefore it was very difficult for her to perceive these two countries as separate states. Nevertheless, she always spoke well of her work with both Latvian and Russian filmmakers (she worked with the latter even after the events of 1991).

The actress died in 2008. The indicator of the popular popularity of Wii was the release of several films about her life and work, and in their names she was called the queen. In addition, there are memories of Artmane about her difficult life, as well as a book dedicated to her work.

Value

Vija Artmane, biography, personal life, children, whose photo became the topic of this article, was for her time a new face of the Soviet screen. An unusual beautiful appearance, subtle acting skills, the ability to convey the most complex psychological shades in one gesture, movement, turn of the head or look made her a real master of the image of the rich inner world of heroines. That's why it was so in demand in the Soviet era, when the directors were looking for new forms of expression of ideas, heroes, experiences.

The bright and memorable appearance of the actress already half guaranteed the success of the picture, and her undoubted talent made every film with her participation a real event in the world of cinema. Vija Artmane, biography, personal life, whose children became the object of close attention from the press in connection with the difficult fate of the actress, became a landmark phenomenon of Soviet cinema.