Pani Monica is an actress Olga Aroseva. Biography, photos and interesting facts

The mass media in the USSR have always been under the strong control of the party, and therefore they were full of propaganda themes and other profitable works of the country's leadership. Television was no exception, and the appearance in the broadcast network of talented entertainment programs invariably pleased viewers.

Pani Monica - Russian actress Olga Aroseva, the regular "Kabachka"

One of such significant, received deserved love of spectators of projects became a comedy sitcom, which was soon after the first successes the name "Zucchini 13 stools". The best actors of theater and cinema of that time played roles in humorous sketches, among which was Pani Monica, actress of the Moscow Satire Theater Olga Aroseva. It was a starry hour in the career of an actress, none of her roles in well-known films brought her as much popularity as the 15-year-old work on the carefree and extravagant way that Pani Monica created on TV. The actress, whose biography was full of surprises no less than her own character, had shown a love of reincarnation since childhood.

The nature of the adventuress

Known all over the Union of Pani Monica (actress Olga Aroseva) was born in Moscow in the family of Alexander Yakovlevich Arosev, a revolutionary and diplomat from the former tsarist military. From the very childhood Olga showed a mischievous and unbending character, shocking relatives with original antics. She always had extraordinary courage for her time and spontaneity of judgments and actions. With age, the seeming simplicity and credulity developed into a rigid will, the ability to adapt and practical cunning, and the energetic nature of the actress, who played Pani Monica, kept to the deepest maturity.

Olga Vyacheslavovna Goppen is the mother of the actress

The mother of the actress, Olga Goppen, an eccentric and frivolous person, did not have practical life skills, because she received education as a scion of a Polish noble family. The refined, eccentric and secular nature hardly got used to the new realities of the 20th century. Olga Vyacheslavovna never opposed the Soviet authorities, but she could not get accustomed to the new society for her. In 1930, a windy mother left her husband with children for the sake of her lover and life abroad. Obviously, the novel did not have a serious continuation, and her maternal feelings over time prevailed over carelessness. After the arrest of her husband in 1937, Goppen found incredible strength in herself to persuade the officials of the emergency commission to leave the children with her, and not distribute them to orphanages.

Alexander Yakovlevich Arosev is a revolutionary and an intellectual

Father for an actress all his life remained an idol. An outstanding revolutionary and diplomat, he participated in the Great October Revolution, stood at the source of the formation of the Red Army of the Bolsheviks, and later represented the interests of the young Soviet state in Europe as an ambassador and diplomat. Even under the tsarist regime, persecuted by the authorities, Alexander Yakovlevich fled to Paris, where knowledge of foreign languages allowed him to get acquainted and make friends with important cultural figures of Europe at that time. This helped in his later work in Moscow, when, after the Prague trip, he was appointed chairman of the VOKS. He himself joked that he was appointed "entertainer of the Soviet Union," which did not stop him from happily hosting the famous "house on the embankment" of the most famous artists and writers of the early 20th century. To his children, Alexander Yakovlevich always bequeathed to be a little braver than himself, not to be afraid of the opinions of others about the creative realizations of his talents. он изредка сетовал, что не стал актёром, и с удовольствием выступал со стихами русских поэтов перед гостями. He himself occasionally lamented that he did not become an actor, and gladly acted with poems of Russian poets before the guests.

Repressed and rehabilitated, the main man in the life of an actress

The arrest did not become a surprise for Arosev, he felt the changes for a long time and went himself to Yezhov to talk "like a man". Unfortunately, his family did not see him again. ктриса, сыгравшая пани М онику в «Кабачке 13 стульев», через всю жизнь пронесла для себя образ отца как светлейшего и умнейшего человека в её жизни. A ctris, who played Pani Manki in "Kabachka 13 stools", through her whole life, carried for her the image of her father as the brightest and most intelligent person in her life. After the arrest, little Olga wrote a bold letter to Stalin that her father was innocent, and even received an answer that he had been convicted without the right to correspond. Actually, Arosev was shot in early 1938, but much later was rehabilitated posthumously. Memory of the father prevented the entry into the Komsomol, when it was demanded of her public renunciation of the repressed parent. Her older sister, Natalia, could not stand the pressure of others and abandoned her father as an enemy of the people, for which Olga almost got into a fight with her. At a mature age Olga Aroseva received from her aunt carefully stored diaries of his father and, thanks to his personal notes, became even closer to him.

Children's pranks

From the very childhood she showed her acting talents to the future Pani Monica. The name of the actress in connection with her "performance" appeared in the Prague newspaper already at the preschool age. The "Threepenny Opera" that was passing at that time made such a strong impression on the little mischief that she persuaded a Czech friend, and together they, cutting the dresses in the form of ragged clothes, went to beg. Local trade and working people listened with amazement and interest to the story of abandoned mothers who are not fed by their father, because there were no beggars at that time in Prague at all. Scandal in this regard, of course, hushed up, but artistic nature in Olga noticed. Upon her arrival in Moscow, she took part in the productions of the school theater and even was invited to the cinema, but the father believed that the shooting harmed children's health, and the career in the cinema was postponed to adulthood. Thanks to the connections and working activity of his father, Olga, a young child, became intimately acquainted with Stalin, met with Romain Rolland in the government house.

Youth and the beginning of the war

Olga's youth was held under the seal of a child of the enemy of the people, she was subjected to constant attacks from ideological pioneers and Komsomol members at school with her sisters. However, Olga could stand up for herself, and she was not touched, besides, she was sure of father's innocence, it protected her from evil tongues better than the most solid armor. Later, the war began, and minor insults were put aside. Olga together with her sister went to Orel region to build military fortifications, where the girls got under real air bombardment. While they were returning to Moscow with crowds of peaceful, people fleeing from the war, the mother with her little daughter went to the evacuation. She left them the most necessary to leave Moscow after her, but the girls decided to enter the theater. Olga, by virtue of her age, was not admitted to the examinations and went to the circus, where she was accepted from the 8th grade. At the same time, Olga studied landing courses, however, she was afraid of height before panic and was expelled long before the end. What is surprising: in the circus school height did not represent for the deft actress any problems. After receiving the certificate of maturity, Aroseva threw a circus and went to the theater for her sister. Apparently, the dream of becoming a rider in a circus at that time could not be realized, since all the horses were sent to the front or mobilized for other purposes.

The beginning of professional acting in Leningrad

Restless nature and spirit of adventurism did not contribute much to systematic and persistent training, and on the third course Olga fled to Leningrad with the troupe of the comedy that drove from the evacuation of the Theater under the direction of Nikolai Akimov. She deceived the management of the theater, providing a diploma in the name of her sister, who had graduated by that time the school, however, the director immediately appreciated the talent and innate data, so the formalities did not pay much attention. The lack of education on Olga affected later when, at the age of 25, she was presented to the title of Honored Artist of the Republic for her work in the cinema, but for a quarter of a century she was undeservedly delayed appropriation due to the absence of a confirmed diploma.

Returning to Moscow

The regalia and titles did not really bother Olga Aleksandrovna, when she got to the theater, she understood where she could show herself best. Simultaneously with the performances, the future actress Pani Monica took part in the filming at Lenfilm, where every episode with her participation was transformed, becoming more alive and harmonious. Unfortunately, the work in Leningrad did not last long, the director Akimov fell out of favor with the authorities, and the frightened actors of the theater were forced to sign a treacherous letter. Desperate and faithful Aroseva refused to participate in this forgery, and she had to return to Moscow.

Satire Theater and social activities

Since 1950, it was time for the Satire Theater in Moscow, with which she did not part until the last years of her life, despite various circumstances and vicissitudes. She was quite a difficult and independent character, because of which she sometimes fell out of favor with the artistic leadership, besides, the propensity for various adventures and intrigues affected the relations with others. However, during the times of Soviet power, Olga Aleksandrovna was responsible for allocating living space to theater workers as a member of the trade union committee, and many of her colleagues note with warmth her efforts in this field.

Personal and family life

Work in the theater occupied a significant place in life, but the family always remained in the first place for such a hard-working and unconventional personality as Pani Monica. The actress, whose personal life did not get along very well, was very sorry that she could not have children because of health problems discovered in Leningrad. She gladly directed her unspent mother's love to close people in the family and at work. Olga Aleksandrovna does not like to spread relations with the opposite sex, recognizing only 4 official marriages. Such a windy and impulsive nature, like Olga, it is very difficult to create relationships for life, and for all her novels you could probably write a separate book.

Work on the set

The sixties of the twentieth century were marked for Olga Alexandrovna by successful work on TV and in cinematography. In the theater of those years, the actress was not too much in the cast, and sometimes did not notice, and Olga Aroseva could completely give herself to the shooting. Serious roles in the movie, she received in the 50's in such films as the lyrical comedy "The Girl Without an Address" and a comedy film with the first main role of Arkady Raikin "We met somewhere somewhere ...", but the real national recognition Came to her after the film "Beware of the car" Ryazanov and speeches in the series of TV shows under the name "Zucchini 13 chairs". Secular and imposing Pani Monica - actress Olga Aroseva - with her restless, enterprising character has sunk into the soul of many Soviet TV viewers. Polish colleagues also spoke warmly of the heroes of the "Kabachka".

It is to her largely due to the introduction into fashion in the USSR of various mind-blowing women's hats a la "Pani Monica." The actress, whose photo, like herself, became recognizable throughout the Union, was always coquettishly upset that her work in the theater was valued much less.

Later Olga Alexandrovna acted in several other films, including the comedy "The Old Men-Robbers", which became a classic of Soviet cinema. At the end of her life, the actress was seriously ill, but she did not tell anyone about this and played in the theater as if nothing had happened. Even before her death, Olga Aroseva was full of creative plans and enthusiasm, and most importantly - managed to finish the book devoted to the idol of her life, her father.