"A native land" Akhmatova: analysis of the poem

Outrageous, unordinary, talented - this is the image of Anna Akhtmatova, who was left to her descendants. Her themes were different: civil, philosophical, lyrical. But there is in her work one little-known work, dropping out of a cage of typical creations for it. The theme was his native land.

Anna Akhmatova

Analysis - a method of logic, can it be used to study such subtle and sometimes mystical things as poetry? Let's try.

An ordinary Ukrainian surname Gorenko was in Ani's childhood. It was the desire for creativity that prompted her to take the family name of her grandmother - the Tatar princess: so she tried to hide from her father her published poems under the name of Akhmatova.

Anna was an ordinary child with typical for her age inclinations and interests. Only the poems that were born from the heart gave her no peace. She wrote on those topics to which she was not indifferent, to which the soul responded.

She happened to visit many different places on the planet, to see a variety of national and cultural traditions, suggesting the fate of the world. Love, love, fans, experiences and impressions gave birth to poetic lyrics that came out from under her pen. The sources of inspiration for her were Pushkin and Derzhavin.

But one topic for a long time she was alien - Yesenin paganism, nature worship, a sense of eternal connection with the surrounding world and the infinity of life.

And was Yesenin?

Akhmatova never mentioned any sympathy for Yesenin or a penchant for his poetic images. And at first sight poets differed in style and theme of their works. But did not his role in the later worldview of Anna "play experience, the son of the mistakes of the difficult"?

Akhmatova fell to the lot of many trials: war, hunger, loss of a beloved husband, the arrest of a son, persecution and injustice towards her. The shaded shadow of the dear heart of Leningrad met her after the war. All this fell upon the poetess and, undoubtedly, inspired thoughts and influenced the world outlook.

Akhmatova for years reflected on the fate of mankind in a tone of civil, social, but it is hardly possible to find in its early works even a hint of worshiping nature. The native land was not identified in her young mind with her mother's land. And quite a different impression leaves the analysis of Akhmatova's poem "Native land."

Paganism in the work of Anna Akhmatova

In 1961, a somewhat illogical and atypical poem "The Native Land" by Akhmatova was published. The analysis of this small work was conducted more than once, and usually specialists attributed it to the so-called civil lyric. Probably, such conclusions are inspired by the image of the homeland, which they ignore, do not notice and trample, considering something for granted.

From another angle, Akhmatova's "Native Land" may also give another impression: the analysis of the "between the lines" motivates us to assert that this text perfectly illustrates the centuries-old paganism that is characteristic of all those born in Russia.

What is paganism? This animation and deification of the forces of nature, the perception of its phenomena as manifestations of the eternal, beyond the scope of human understanding and life. Where in the lines of Akhmatova is all this?

"The Native Land" of Akhmatova

The analysis of this verse is not easy, like the text itself. In fact, there is a glorification from the opposite: the poet with ostentatious cynicism and indifference seems to lower the level of the sanctity of his native land. "We do not carry on our chests on our chests," the author says coldly, voicing the modern man. What is heard in these words: sadness, regret, depression? It seems that one indifference.

Further more. Akhmatova says: "Yes, for us it's dirt on the galoshes", thereby totally eliminating the importance of the homeland and land as a homeland for billions of people. Having achieved from the reader a 3D effect, a sense of presence, the poet suddenly beats into the heart, goes deep into everyone's fear - reminds of the imminent end. In just a few words, she finishes the proud and indifferent contemporary: "But we go into it and become it."

It is in these few lines that the essence of the poem lies: outside comes a deep pagan worldview, representing the earth as an eternal living being, foremother and the grave of all that exists.

And before this last ruthless blow to modern soulless poetess as if accidentally throws a line about the sinlessness of the earth, its holiness: "That in nothing is implicated dust." Such an outcome is revealed to us by Akhmatova. "Native land," the analysis of the poem demonstrates this, appears as a multifaceted picture of life. Master word and pagan!

Earth Mother

So does the "Native Land" of Akhmatova refer to the civil lyrics? The analysis given above is rather subjective, however it has the right to exist, especially today, in an age of unthinking consumer attitude to the environment and at the same time the discovery of secret knowledge about the origin and destiny of man.

The land has always been a symbol of fertility, birth and motherhood. Yes, so it is: from the earth grows and flows all that is urgently needed for man. How does it happen that the inhabitants of the beautiful planet Earth remain indifferent to their wet nurse, and sometimes even cruel? This is what makes the poem think.

"What is the source of our life and shelter in death?" Akhmatova asks. Motherland! Analysis of the lines of the poetess leaves no doubt in the answer.